The chip springs open from its corner on the expressive fast specs instead
of sliding in clipped, and its text is resolved in composition rather than
from an effect — a frame late meant it opened carrying the previous message
and grew into the new one mid-animation.
Undo now leaves the outcome standing until its write reports back, so the
one chip changes what it says instead of closing and reopening.
Jean-Luc Makiola
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